Someshwar
Sometimes, an area doesn’t want to talk loudly to be heard. Someshwar is like that. It sits quietly among Almora and Kausani; a valley wrapped in green, touched by way of mild, and bogged down simply enough if you want to notice your breath.
Sometimes, an area doesn’t want to talk loudly to be heard. Someshwar is like that. It sits quietly among Almora and Kausani; a valley wrapped in green, touched by way of mild, and bogged down simply enough if you want to notice your breath.
It doesn’t invite you with promises. It just shows up gently, with fields that shimmer and homes that hold onto time. And before you know it, you’re not just passing through. You’re lingering. Without a reason. Without a plan.
In Someshwar, the mornings don’t rush. The mist stays longer on the fields. You can hear it the stillness between one sound and the next. A distant cough. The creak of a wooden gate. The soft rhythm of slippers brushing the earth.
The fields stretch wide here, golden, green, and freshly tilled. A farmer bends low, bare feet in water. A child runs behind a buffalo. Someone folds a pichora (पिचोरा) and drapes it over a railing to catch the sun.
Nothing is staged. Everything is real.
The Somnath temple isn’t large. Or loud. You might even miss it if you’re not looking.
But when you step in, you feel it. The stone feels cool. The bell waits without ringing. There’s no priest rushing through rituals. Just space. Just silence. A boy touches the floor with both hands and walks out without a word.
It’s a temple that doesn’t perform faith. It just lives with it.
People here don’t dress to be noticed. Wool shawls, faded sweaters, rubber slippers. But there’s something steady in the way they move. Confident without noise. Certain without pride.
A woman passes carrying firewood. She’s humming to herself. A man sits on a bench with his chai (चाय), eyes on the road like he knows every turn by heart.
Shops sell what you’d expect: matchboxes, glass jars of toffee, and maybe a few local soaps. But there’s warmth behind every counter. Not the kind that’s trained. The kind that’s passed down.
In Someshwar, lunch isn’t a product. It’s comfort.
Bhatt ki dal (भट की दाल), rice, maybe a seasonal sabzi (सब्ज़ी), and chutney with the kind of bite that tells you it was ground by hand. A kitchen where the chulha (चूल्हा) glows low. A corner where smoke finds its way out slowly.
And always, tea. Not fancy. Not different. Just right. A cup that lands in your hands without anyone asking what you’d like. Because here, that’s how kindness works.
You don’t race through Someshwar. The road curves softly. There’s time to look at everything.
A pine needle rolls in the breeze. A goat refuses to move. A teenager waves to someone on a scooter, and you realise they wave like this every day.
Homestays appear like whispers. A signboard nailed to a wooden pole. A name written in fading paint. You stop just to read it, not because you're booking a room, but because it feels like someone’s story.
Rain doesn’t come all at once here. It shows up in pieces. A few drops on the tin roof. A darkening edge of the sky. Then slowly, a rhythm. The smell of mitti (मिट्टी) rising up. A kid is dragging a chair inside. A cow turns its head toward shelter.
And in that moment, you’re not thinking of signal, or time, or your phone’s battery. You’re just sitting at a tea stall, fingers wrapped around a glass, eyes on nothing in particular. Rain gives you a reason to pause. But really, you already had one.
This valley isn’t built to be remembered with photos. You might forget the exact name of the temple. Or the shop where you bought oranges. But something will stay.
A voice calling out across the field. A bell that rang softly. A stranger who didn’t ask where you were from, but still made you feel welcome.
You carry it with you. The way the earth smelled after the rain. The way the sky turned orange for a few quiet minutes. The way the place lets you be still without asking you why.
That’s Someshwar.
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